Louis Vuitton fw’25 highlights the art of traveling

A game of lights announced the debut of the show; they moved horizontally as if a train were leaving the station. Louis Vuitton’s shows always have the power to transport us to different realms—it’s not just the stage, it’s its aura, the front-row celebrities, and the magnitude of the overall event. This time, it transported us to the 19th-century train station, L’Étoile du Nord.

This season was dedicated to the very essence of Louis Vuitton: traveling and the discoveries that come along. Nicolas Ghesquière conceived yet again a charming collection where the codes of the brand were displayed through rich craftsmanship and stylish shapes.

Models took to the runway as if they were passengers on the train. The clothing told the stories of the travelers through diverse styles. Bags were essential in creating this synergy between the setting and the storytelling. With femininity at its core, the collection featured voluminous ruffled skirts in tulle with cinched waists, reminiscent of a historical aesthetic. Big belts and sweaters created anachronistic pairings.

Faithful to the season’s biggest trend, big faux fur coats were part of the collection, adding a sense of glamour. Checkered print appeared in flowy, asymmetrical dresses, creating a visually strong element. Big bucket hats were seen in many of the looks, adding a sense of mystery. A bohemian allure emerged through a series of floral dresses with movement, but far from being delicate, the flowers conveyed a dark aesthetic.

Deconstructed capes and dresses brought dynamism to the collection, blending creative references. Embellishments, sculpted silhouettes, lace hems, and volume were all part of the visual discovery that Ghesquière wanted to highlight. The collection was full of classic silhouettes paired with statement pieces—this conversation created a wardrobe for the wanderer and the errant, the one who seeks and the one who encounters.

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